MOVIE

Lurker review – an excellent showcase for…

In his controversial but undeniably significant smash hit ​‘Stan’, Eminem relayed the story of an obsessive fan who would do anything to get the attention

MOVIE

Animalia review – sci-fi in the most elusive…

Itto (Oumaïma Barid) is alienated. After a series of elegantly composed shots of a house’s opulent if empty interiors, she is shown in there but out of

MOVIE

Cover-Up review – a film worthy of Seymour Hersh

When investigative journalist Seymour ​“Sy” Hersh is asked what made him a suitable candidate to run his father’s store in Chicago, he shrugs, ​“Pizazz. Like people.”

MOVIE

Jafar Panahi: ‘We shouldn’t look at cinema too…

Jafar Panahi has had to navigate the most challenging set of circumstances in order to make films. Censored and persecuted by an authoritarian régime that

MOVIE

Christy review – this ain’t ringing no box office…

When Robert De Niro radically transformed his body to play the boxer Jake LaMotta in Raging Bull, it meant he was serious about his craft, and

MOVIE

Pillion review – a refreshingly sexy and touching…

Although based on the 2020 novel ​‘Box Hill’ by Adam Mars-Jones, Harry Lighton’s Pillion is mostly unrecognisable from its source material, retaining only a few crucial

MOVIE

The Carpenter’s Son review – FKA Twigs’ Mary is…

In the beginning there was nothing and then there was light. Or in the instance of The Carpenter’s Son, in the beginning there was the dogmatic

MOVIE

Sisu: Road To Revenge review – a Suomi western

It is that Finnish word ​“that cannot be translated” again, and yet which is translated, also again, in opening text, as ​“a white-knuckled form of courage and

MOVIE

Rage and defiance in les banlieues – La Haine at…

The invisible loyalties between Vinz, Hubert and Saïd suggest that they are childhood friends, splintering in young adulthood because of tensions in the neighbourhood –

MOVIE

Predators review – one of the most valuable…

Despite only running between 2004 and 2007, To Catch a Predator had an indelible impact on popular culture. Fronted by the journalist Chris Hansen, the 44-minute