- November 27, 2024
Ensemble Principles in Collaboratives and Applied Theatre
Jeffrey Mosser: Welcome to another episode of the From the Ground Up podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers
Edge Effect’s MOURNING MACHINE | HowlRound Theatre Commons
Mourning Machine is a low-stakes participatory ritual designed to honor the history and resilience of the NYC theater community/ies during a time of uncertainty and
The Rise and Fall of Theatre X
Jeffrey: Are we looking at like 1981, 2, 3 here? John: Yeah. First of all, let’s go back to the story here. In 1980, the
Flood Warning: Connecting the Genocide in Palestine and Sea-Level Rise in Florida in Pitbull’s Party at the End
While Pitbull’s concert is the setting, the play focuses on these two Cuban Jewish families—one escaping the hurricane, another who caused it. Pitbull’s concert is
Desire and Collaborative Artistry | HowlRound Theatre Commons
Deb: I started with them and then Ellie Kovan called me up, “Do you want to do a solo show?” I was like, “I can’t
Poetry Performance with George Abraham and Fargo Tbakhi
Nabra: That’s really exciting, and I have a couple follow-up questions, which is, first of all, how did you find out that you both are
Artistic Collectives, Sustainability, and the Perpetual State of Emergency
The iCoDaCo 2024-2027 series of online conferences will explore, throughout the 4-year project, what sustainability means in the context of artistic practice, considering everything from
Palestinian Drag in the Diaspora with Mama Ganuush
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
The New Black Fest’s Keith Josef Adkins
4:00 p.m. EST: Reading of The People Before the Park + discussion 6:30 p.m. EST: Conversation with Keith Josef Adkins 7:30 p.m. EST: The Heat
Preserving and Transmitting American Ensemble-Based Theatre, Part Three: Institute Directors
Jeffrey Mosser: Hey hey hold up hold up! Sorry, dear artists, a quick preamble before we kick this episode off. So since this interview there’ve
