- November 12, 2024
Poetry Performance with George Abraham and Fargo Tbakhi
Nabra: That’s really exciting, and I have a couple follow-up questions, which is, first of all, how did you find out that you both are
Artistic Collectives, Sustainability, and the Perpetual State of Emergency
The iCoDaCo 2024-2027 series of online conferences will explore, throughout the 4-year project, what sustainability means in the context of artistic practice, considering everything from
Palestinian Drag in the Diaspora with Mama Ganuush
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide.
The New Black Fest’s Keith Josef Adkins
4:00 p.m. EST: Reading of The People Before the Park + discussion 6:30 p.m. EST: Conversation with Keith Josef Adkins 7:30 p.m. EST: The Heat
Preserving and Transmitting American Ensemble-Based Theatre, Part Three: Institute Directors
Jeffrey Mosser: Hey hey hold up hold up! Sorry, dear artists, a quick preamble before we kick this episode off. So since this interview there’ve
Critics in Conversation | HowlRound Theatre Commons
Join a livestream with winners of the Edward Medina Prize for Excellence in Cultural Criticism and hosted by the American Theatre Critics/Journalists Association. The Medina
Preserving and Transmitting American Ensemble-Based Theatre, Part Two: Presenter Perspectives
Jeffrey Mosser: Welcome to another episode of the From the Ground Up Podcast, produced for HowlRound Theatre Commons, a free and open platform for theatremakers
Performance Art on Video with Khansa
Nabra Nelson: Salam Alaikum. Welcome to Kunafa and Shay, a podcast produced for HowlRound Theatre Commons, a free and open platform for theatremakers worldwide. Kunafa
RESISTANCE NOW! Republic of Love
Nationalist parties are on the rise across Europe, from the German AfD to the French Rassemblement National, from Hungary to Austria. They instrumentalize fears and
The Radically Inclusive Storytelling of UP UNTIL NOW: midair for some time
The show is interactive at its core, from the lobby installations to the guide helping with the haptics gear and answering any audience questions to
